deadpool is honestly more wholesome than any of the mcu movies
Explain
ok so
Doesn’t straightwash queer characters! this was a big one. (marvel movies have a huge problem with straightwashing*)
Deadpool is canonically pansexual, and the movies reflect this! Reynolds doesn’t shy away at all from Deadpool’s sexual interest in men.
(head injuries bring out deadpool’s romantic sexy feelings it seems. in the first movie, knife to the head = romantic montage with vanessa. in the sequel, fencepost to the head = deadpool sensually trying to go down on Colossus.)
(semi-related, both movies have some cute references to deadpool enjoying being on the receiving end in the bedroom.)
(yeah, it’s canon, Deadpool enjoys being pegged)
Oh hey, a healthy romantic relationship based on mutual respect and love! and with a fully developed female character with personal agency! A love interest who doesn’t just function as a plot device.
POLAR OPPOSITE OF TOXIC MASCULINITY. This really shines through in their marketing
(yes that pillows says “FEMINIST”)
(yes that is deadpool in heels dancing to celine dion)
Diverse casting! Characters who are poc just because poc exist!
Hey look, a cute lesbian couple treated with respect and one of them’s asian!
Holy crap i don’t say this enough but i loveDomino. What a badass. Sexy-but-not-sexualized black female action hero who is probably the coolest person in the movie.
Deadpool 2 took a run-of-the-mill white character design and made her interesting!
Her trademark eye patch is now vitiligo! She has awesome natural hair. And look, body hair exists! On a person who is a woman! Which shouldn’t be unusual, but here we are. Also, she’s fun
Portrayed by the talented Zazie Beetz. Did I mention how much i love this character?
Oh look, another much improved character design!
We’ve got your humdrum blondie cleft-chin stereotype replaced with a heavyset maori teen actor (Julian Dennison, who incidentally was in Taika Waititi’s indie movie Hunt for the Wilderpeople).
Overall themes: The movies have a lot of dirty humor and innuendo. But the overall takeaway is actually pretty sentimental. The Deadpool 2 themes in particular gets to me:
Ending the cycle of abuse. Not repeating the mistakes of the previous generation. “Kids give us a chance of being better than we used to be.”
The loss and recovery of family. Accepting friendship in the midst of tragedy. See also: Cable’s story arc.
Letting go of loss and bitterness to try to save a child who’s been abandoned by the world.
I’m honestly so excited about the choices the director & producers have been making for this franchise. They’re setting the narrative standard for modern superhero films. Can’t wait to see what the next movie has in store.
Rohypnol has an INCREDIBLY salty taste to it. It’s disgusting. And it also isn’t a drug that acts immediately! The minute you notice the salty taste, you have about 5-10 minutes to get somewhere safe or call an ambulance, and it CAN be fought if you’re aware of it. It will make you woozy, it will make you so dizzy you can’t stand upright, it will certainly make you unable to walk properly, but if you struggle to remain conscious you can get about 20 extra minutes of consciousness from the drug before it will knock you out completely. If you’re in a public place, and the person who drugged you is trying to take you somewhere private, start. a. fight. Insist as LOUDLY and as VIOLENTLY as you can that you refuse to go anywhere with them. Odds are they’re
trying to make as little of a scene as possible as they drag you away, and if you’re putting up a fight and very clearly ‘drunk’, eyes will turn on them and they’ll either need to let you go, or cause a serious scene, which they don’t want. Don’t just act like you’re just protesting being taken home, though. Fight like your life depends on it even if they aren’t assaulting you. Cause. A. Scene. That’s the last thing they want.
“Everybody gets told to write about what they know. The trouble with many of us is that at the earlier stages of life we think we know everything — or to put it more usefully, we are often unaware of the scope and structure of our ignorance.”